Sunday, September 2, 2018

An Artful Heist

"Woman--Ochre"
40 x 30, Oil on Canvas
William de Kooning, 1955

Who doesn't love a good whodunnit? The latest high profile art heist revolves around a quiet, unassuming couple who lived in a small town in New Mexico. Mr. and Mrs. Alter both worked in public schools for most of their careers.  And yet when she died in 2017, what was found lurking behind their bedroom door, but a stolen William de Kooning painting, valued at a hefty $160 Million. Hmmmm.




The painting was stolen over thirty years ago from the Arizona Museum of Art in Tucson. A man and woman came to the Museum just before opening, and while the woman engaged the guard in conversation, the man went upstairs. When he came down, they left quickly. The guard, sensing something amiss, went upstairs, and discovered that the de Kooning had been sliced out of its frame. This painting was a prized part of the Museum's collection, because de Kooning was a leading figure in the Abstract Expressionist movement. Abstract Expressionism emerged in the mid-20th century, and proved to be a defining element in American art history. It was distinguished by very dynamic, gestural (some might even say "wild") marks and brushstrokes, and by abstraction of the subject matter--both of which are evident in the stolen painting. 


Museum Officials examine the stolen painting

Decades elapsed with no clues of the painting's whereabouts. Then Mrs. Alter died. An estate sale was held, and an antiques dealer bought the contents of the Alter home for $2,000. As soon as the dealer displayed the "cool, mid-century painting" in his shop, customers starting remarking that it looked like a de Kooning. The antiques dealer did a little research, learned about the earlier theft, and called the Museum. The rest of the story fell into place quickly--the Museum authenticated the painting, the dealer returned it to the Museum, and the FBI began investigating. 

The FBI has declined comment, since the investigation is still pending. But--evidence has surfaced that the Alters were in Tucson the night before the theft; sunglasses and a scarf matching those worn by the woman thief have been found in Mrs. Alter's belongings; and the Alters drove a car like the one described by the guard as the getaway car. And there's more. One detail I found especially creepy is that Mr. Alter published a short story in which two people stole a valuable emerald from an art museum. The story ends with the emerald on display in an empty room, and this exclamation: "And two pairs of eyes are there, exclusively, to see it!". Does this give anybody else the absolute conviction that the Alters were the thieves??


Stolen de Kooning painting hiding behind the Alters' bedroom door

An art heist like this raises intriguing questions. There's virtually no way to sell a high profile  stolen work on the legitimate market. And you can't exactly show it off to your friends. The thief must act for the pure thrill of the conquest, or for the pure artistic enjoyment of the painting. Or perhaps for the power trip of having exclusive viewing rights. It does set one to wondering "Why?". 

To read more about the modus operandi and motivation of art thieves, here's a fascinating article from The Atlantic. Puzzle on...



Wednesday, August 22, 2018

I'll be Brief...


"Fresh Cut Fields"
7 x 14, Oil on Linen
(c) Lesley Powell 2018
(SOLD)
On my recent painting trip, the focus was the landscape. I spent a great deal of time and effort breaking the landscape down into its simplest elements. I have learned this much from studying with the wonderfully talented Maggie Siner: if you get the foundational aspects of the landscape down correctly, the "details" practically take care of themselves. And on the flip side, if you DON'T get the foundational aspects in place correctly, no amount of tinkering with details can save you.


"Murs Hilltop"
7 x 14, Oil on Linen
(c) Lesley Powell 2018
(Available)
I have written a great deal in this blog about "simplification"--so much, in fact, that the phrase is probably growing tiresome.  I have been thinking of a new way to express this concept, and have come to call it "brevity". I want to convey the landscape with brevity--telling you enough, but not too much. I want to involve the viewer in the painting, so that the

Sunday, August 12, 2018

Home from Provence....

"Murs, Beyond the Wheatfields"
12 x 16, Oil on Canvas
(c) Lesley Powell 2018

There is nothing like a total immersion painting experience to re-charge your batteries! I have just returned from three weeks of painting in the south of France. The first week was devoted to a workshop with the immensely gifted painter and teacher, Maggie Siner. The next two weeks were consumed with independent painting--a perfect time to cement some of the lessons from the workshop.

"Fields off Chemin des Pradelles"
12 x 16, Oil on Linen
(c) Lesley Powell 2018

We missed the lavender this year--it had all been harvested by the time we arrived in Provence. But on the bright side, the wheat had also been recently cut. That meant that we got