Sunday, October 23, 2022

Gouache On the Go


 


I've been on the road lately, and I left my oil paints at home.  This trip was primarily devoted to spending time with friends and to exploring new territory--Puglia, Italy, to be precise.  But I could not leave ALL painting behind, so I packed a portable gouache setup.




What, might you ask, is gouache?  (It rhymes with "squash").  It is a water based pigment, in the family of watercolors.  But unlike traditional watercolors, which are transparent, gouache is opaque.  Because it is opaque, it allows you to paint light over dark, as I am used to when working with oils.  And you can go back and make corrections, which makes it much more forgiving than traditional watercolors.




There are several reasons that gouache is great when traveling.  It requires no flammable solvents, because it cleans and thins with water.  You can use gouache on watercolor paper or other lightweight supports (much lighter in the suitcase than linen canvas).  It dries in a flash.  And I don't even need an easel--I can just balance the painting on my lap or on a tabletop while I work.




Gouache takes some getting used to, primarily because the colors change somewhat as they dry.  The darks tend to dry lighter, and the lights tend to dry darker. But once you adjust to that quirk, it's a wonderful medium for the right occasion.  Great for short painting sessions, for capturing an impression, and especially great for travel.  I'm becoming a fan.

I'm illustrating this post with some gouache paintings from my recent trip to Italy.  Some are finished works in themselves, others will be studies for new work in the studio.  Enjoy!  




2 comments:

  1. Hi Lesley. Do you use gouache from pans or tubes?
    Planning to buy some but a bit torn between the two.
    What are the colours on your palette? Are they easy to mix?
    Lot of questions!
    Love your work😍

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    1. Hi, thanks for your nice comment. I use gouache from tubes--the so-called "wet" method. I have a limited palette: cad yellow light, cad red light, alizarin crimson, ultramarine blue, burnt sienna, raw umber and white. Sometimes also cerulean blue hue. The physical mixing is very easy--it's the mental decisions on what to mix that are hard! Good luck!

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