(c) James Currin, 2016 |
One day during the recent workshop in Provence with Maggie Siner, we painted at the beautiful Abbaye Saint Hilaire. I found myself thinking a lot that day about how light and shadow appear on a structure that is situated in the landscape--and how very quickly those lights and shadows change! Maggie's remarks that day also stimulated me to think about building my composition around an interesting pattern of shapes, both dark and light, rather than simply illustrating the subject.
One of my takeaways from Maggie's lesson that day was to solve the big color blocks first. Only after doing that should I let myself move to smaller events or "details". I loved the way
(c) Bob Dodson, 2016 |