Time Will Tell

I have recently relocated my studio. The experts say that moving is stressful, and I can attest that moving one's "creative space" from familiar to unknown territory can indeed be traumatic. But despite the upheaval--or maybe because of it--there are triumphs to be had. 

"Stones of Time"
9 x 5, Oil on Linen
(c) Lesley Powell 2019

First, I love my new space, and the wonderful light it gets from two different exposures. More on that later. The big story for today is the experience of the "Aha Moments" that occurred upon seeing paintings that have been in the closet for months, or even years.

"Near Kenwood"
8 x 16, Oil on Linen
(c) Lesley Powell 2019

I've written before about the process of destroying old paintings that never worked out. Those paintings were obvious failures. But there is an entirely different category of painting that lurks in the hidden corners of the studio: paintings that were pleasing in many respects, but that were not quite right. Something was missing, or something was wrong, and I could not figure out what it was. So the canvases were banished to the closet.  

"Stone Spans"
9 x 12, Oil on Linen
(c) Lesley Powell 2019

And in the closet they stayed, until my recent move. I was forced to face them all, and decide whether they lived or died. It's amazing how one can see with fresh new eyes after taking a long breather from an old painting. In some cases, the "Aha Moment" revealed that there was no fix, that the painting had to go. In other cases, a quick glance was all that was needed to tell me exactly what was wrong, or missing, and how to fix it. In those latter cases, the "Eureka!" feeling was a real high. It's as if the solution needed months to incubate and was finally revealed. Maybe an angle needed to be corrected, or a color muted. Maybe a detail needed to be added, or eliminated. In any event, making those corrections finally brought the paintings to completion, and I felt as if I was ushering an old friend out of hiding, and into the real world of the studio. I'm illustrating this post with some of these paintings, and hope you'll enjoy them...

Time Passing...

Who can't help but think about time during this season, when we turn the calendar page to a New Year? One saying about the benefit of time is that "Time heals all wounds". On a less metaphysical level-- perhaps more mundane, but nonetheless very beneficial for the practicing painter-- the passage of time often allows us to see, and therefore to correct, problems in our paintings.

I'm not an expert on how the human brain works. But I do know that it's very common to get "too close" to a painting--to be so wrapped up in the struggle that you lose sight of the way forward. In those cases, it's smart to put the painting away for a few days, and work on something different. No peeking! Miraculously, when you pull the painting back out,

The Jury's In

Awarded "Best in Show"
(c) Greg Siler

This spring I submitted an entry to "Carolina's Got Art!" (CGA for short)--a juried art show. For the uninitiated, a "juried" show is one in which artists compete to have their work included in the show. There is typically a single juror, who reviews all of the entries and decides which ones make the cut. Because of the dynamics of the process for high profile shows, only a small percentage of entries are selected. 

This year, CGA landed Eliza Rathbone as its juror. Ms. Rathbone is well know in art circles, having been