Photo: Ewan McClure |
I have written previously about the reducing glass (pictured above). It is the opposite of a magnifying glass--it can be held up to a painting to reduce a large area to a small view. The idea is that is helps you see the work as a whole, in one glance, rather than getting caught up in details. The reducing glass has been an artist's tool for decades (maybe centuries?).
Photo: Art Apprentice Online |
Now along comes the smart phone, complete with digital camera. There are a lot of apps that painters can use on their phones, from value finders to composition grids and more. Personally, I don't use any of those. But I do use the camera on my iPhone as a modern day reducing glass. One quick click, and a 30 x 40 inch painting appears on the phone as a 2 inch image. Quite amazing, really. Check out how it works with the two images below.
It is astonishing what you can learn when your painting is reduced to a thumbnail size like this. You can quickly see the major masses or shapes, and the overall pattern of lights and darks. Those are the things that make or break a painting! Yet so often we get caught up in drawing a tree or a fence that we lose track of the big picture. Camera (aka "reducing glass") to the rescue! (There is a life lesson here. Something about seeing the forest for the trees...).
And I might add: how many times have I thought a painting was completed, but when I photographed it for my website, and looked at the image on a little digital screen, I saw a glaring problem? Countless times! Then it's always back to the easel. I think we should all add the smart phone camera to our list of favorite studio tools...
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